Tuesday, December 7, 2010
New look at www.franklinmountains.org
Rick
How to Save the Scenic Transmountain Corridor
Initiative Petition Form
Initiative Petition Form2
Faqs
Saturday, December 4, 2010
Visualize the Vanishing Scenic Transmountain Corridor

Now develop and add traffic and here's your new view of the "scenic" corridor:
Just imagine how ugly that view will be once Paseo del Norte gets built through the Westside Master Plan area that we want to preserve as Natural Open Space. Once that road and intersection are built along with the Ed Archuleta Commercial District, forget the view. In fact, forget the land because creating an arterial like Paseo del Norte will ultimately force development a mile wide on either side or up to the State Park - whichever comes first.Wednesday, December 1, 2010
Saturday, November 27, 2010
Visit the El Paso Museum of Archaeology
Dear Friends of Archaeology,
This week at the El Paso Museum of Archaeology we have a Zip Tour of the Traditions and Symbols exhibit at 2 pm on Sun. Nov. 28 (tomorrow), an Adult Tour of the museum on Wed. Dec. 1 at 10 am, and a Family Workshop on Sat. Dec. 4 from 1:30 to 3:30 pm. Please see details below and share this message with your friends and family.
Zip Tour, Sunday, November 28, 2010, 2:00 pm, Free Admission
Curator of Education Marilyn Guida presents this brief tour of the Traditions and Symbols exhibit in which ten members of the Juntos Art Association of El Paso explore contemporary, historic, and prehistoric Mexican, Mexican-American, and indigenous Native American cultural traditions and symbols.
Adult Tour, Wednesday, December 1, 2010, 10:00 am, Free Admission
Docent Mike Iglar presents this free one-hour tour of the El Paso Museum of Archaeology and surrounding Chihuahuan Desert Gardens which will introduce adults to the people of El Paso’s ancient past from the Paleoindians who lived here 14,000 years ago to the Mescalero Apache people of today. Visitors will also see prehistoric artifacts from several regions of México. To enjoy the gardens, wear suitable clothing, shoes, and sun protection. Reservations are not necessary but contact the museum if you plan to attend, 915-755-4332; guidamr@elpasotexas.gov.
Family Workshop: Holiday Designs in Metal Embossing/Repujado with Maria Almeida Natividad
For Adults and Children Ages 6 and Up
Seating for Maximum of 30 Participants
Saturday, December 4, 2010, 1:30 – 3:30 pm
Admission: $2.00 for museum members; $5.00 for non- members
ADVANCE PAID REGISTRATION REQUIRED
Information and registration: 915-755-4332 or guidamr@elpasotexas.gov.
El Paso artist Maria Almeida Natividad leads adults and children in creating holiday-themed art using the ancient art of embossing or pressing shapes into metal to create a design in this workshop. Aluminum foil metal and other materials will be supplied. Traditional holiday designs such as Christmas trees, candy canes, stars, and ojos de Dios/eyes of God will be provided. Adults and children may select a design or create their own, then add an antique look with paints and/or markers. The metal embossing technique, called repujado in Spanish, arrived in Mexico during Spanish colonization.
Museum Location: 4301 Transmountain Road, El Paso 79924
Hike Planned to Plane Crash Site
The Sunrise Group of the Elpasonaturally Hikers are planning a hike to see the site of the November 9th single engine plane crash. Miraculously all 3 game wardens escaped critical injury including one female who was trapped in the plane for 2 hours. All 3 are reportedly well now.
Friday, November 19, 2010
Our Place in Nature
"When I climb the mountains I feel renewed. I look at the development on our mountain and feel a sense of loss as an animal having to find a new home, a sense of displacement overwhelms me. Understanding the same feelings of loving the mountain and wanting to live in a natural environment, construction and land development continues in this space. A sense of oneness with the land penetrates my body and I feel I am home."
Our Place In Nature- Chapter One
Many years ago, when I was only about fourteen years old, I first saw landscape paintings from the Far East. It was as a result of looking at these painting that I first became interested in Eastern philosophy. What grasped me and excited me about the Asian vision of the world was their astonishing sympathy and feeling for the world of nature.
One painting in particular that I remember was called Mountain after Rain. It showed the mist and clouds drifting away after a night of pouring rain, and it somehow pulled me into it and made me feel part of that mountain scene. It is fascinating for us to consider that pictures of this kind are not just what we would describe as landscape paintings, because they are also icons, a kind of religious or philosophical painting.
In the West, when we think of iconographic or religious paintings, we are accustomed to pictures of divine human figures and of angels and saints. When the mind of the Far East expresses its religious feeling, however, it finds appropriate imagery in the objects of nature, an in it's very important respect their feeling for nature is different from ours. The contrast in these two forms of expression arises as a result of the sensation that the human being is not someone who stands apart from nature and looks at it from the outside, but instead is an integral part of it. Instead of dominating nature, human beings fit right into it and feel perfectly at home.
In the West our attitude is strangely different, and we constantly use a phrase that sounds peculiar indeed in the ears of a Chinese person: We speak of "the conquest of nature" or "the conquest of space," and the "conquest" of great mountains like Everest. And one might very well ask us, "What on Earth is the matter with you? Why must you feel as if you are in a fight with your environment all the time? Aren't you grateful to the mountain that it lifted you up as you climbed to the top of it? Aren't you grateful to space that it opens itself up for you so you can travel right through It?"
Indeed, it is this domineering feeling that underlies the way we use technology. We use the powers of electricity and the strength of steel to carry on a battle with our external world, and instead of trying to live with the curvature of the land we flatten it with bulldozers, and constantly try to beat our surroundings into submission.
